Most men's haircut galleries show you a model who looks good in the cut. That does not answer the only question that brought you here: whether it looks good on you. This one is built differently — each of the eighteen cuts says which hair type and face it is meant for and what it costs in daily upkeep, and you can put it on your own photo without leaving the page.
The list runs short to long. If you already know which direction you want, skip ahead: the first six are short cuts, the middle six sit between two and ten centimetres on top, and the last six need length and therefore patience while you grow it out.
Hit "Try it on me" under any cut — the style is then preselected in the tool below and all you need is a photo.
The most drastic option and the lowest-maintenance one: everything off, a re-shave twice a week. With an advanced receding hairline a deliberately shaved head almost always reads better than trying to redistribute thin cover. It needs a reasonably even skull shape — and sunscreen in summer.
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One clipper guard all over, typically a #1 to #4, no gradient. A buzz hides a receding hairline better than any longer cut because it removes the contrast between hair and bare forehead. It emphasises everything else in exchange: jawline, ears, skull shape.
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Short sides, two to three centimetres on top, marginally longer at the front. This is what barbers reach for when someone says 'short, but not a buzz'. It suits fine hair particularly well, because at that length the hair stands up on its own. Re-cut every four to six weeks.
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The gradient starts low, just above the ear, and runs cleanly down around the back. The most discreet fade variant — unremarkable in an office, still precise at the weekend, with enough length on top to style. The price of the clean look is the rhythm: after three weeks the grow-out shows.
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Three to five centimetres on top, ends deliberately point-cut, worn forward with a matt paste. The texture makes thin hair look noticeably fuller because it breaks up how light falls. Probably the least demanding cut on this list: thirty seconds of styling and it forgives grow-out.
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Short faded sides and a blunt, straight-cut fringe — the line across the forehead is the entire concept. The Edgar needs thick, strong hair or the edge frays, and it suits faces with defined features. With a high forehead it is one of the few cuts that deliberately shortens it.
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A defined part with the longer side combed over, smooth or lightly waved. The cut that works at forty and beyond: grown-up without being dated, right with a suit and right without one. On fine hair, dry it with some root lift or the whole thing lies flat against the skull.
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Sides short, enough length on top for the curl to form — usually four to six centimetres. The commonest mistake with curls is cutting them too short: under three centimetres a curl becomes frizz. Work a curl cream in at towel-dry and do not comb it through.
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Top hair to about eyebrow length, parted in the middle, falling to both sides. The nineties are back and this is their flagship. It frames a high forehead from the sides and softens angular features. Getting the front long enough means a few unglamorous months first.
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Much longer at the front, dried up and back, sides kept short. A quiff adds two to three centimetres of visible height — the most effective way to lengthen a round face. Without a dryer and a pre-styling product it collapses during the day; budget five minutes each morning.
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The quiff's bigger brother: more length at the front, the volume pulled further back, and shorter sides to compensate. A cut that announces itself, and one that assumes thick hair — fine hair will not hold the height. Pomade on towel-dried hair, then dry it into shape.
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The gradient at the sides does not fade out but runs into the beard line — hair and beard are cut as one continuous contour. It lengthens a round face noticeably and gives a narrow jaw substance. Needs even beard growth and a barber visit every two to three weeks.
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Everything backwards, smooth, held with a glossy or matt pomade. Needs at least ten centimetres on top so nothing falls forward. It exposes the entire forehead — with pronounced recession it shows everything, with clean features it looks tidier than almost any other option.
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Short at the front and sides, long at the back — but in the current reading flowing softly into each other rather than hard-disconnected. The mullet has migrated from fancy-dress wig back into barbershops. It needs nerve and hair with some life of its own; on fine straight hair it simply hangs.
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Very short sides with a dense mass of short curls on top — the silhouette that named it. The younger crowd's look since around 2023. It works only with naturally curly or strongly wavy hair; it cannot be dried into straight hair.
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Eight to twelve centimetres, lightly layered, worn with the natural wave rather than against it. The easiest way out of the short-hair routine: no drying required, a trim every eight to ten weeks. With very fine hair the weight becomes the problem and it all lies flat.
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Shoulder length, worn loose, minimally layered. Realistically twelve to eighteen months from a short cut, and the in-between stage from chin length is the thankless part. Which is exactly why it is worth seeing the destination on your own face before investing a year.
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Needs at least fifteen centimetres for the knot to hold. The practical advantage of long hair: out of the way when it needs to be, down when you want it. Tying it very tight daily risks traction at the hairline — keep it loose and move the position around.
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Look straight into the camera, face centered, hair pulled back from the face if you can. Even lighting works best.
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Turn your head slightly to one side for a second photo. The extra angle lets the AI render the hairstyle correctly from every side.
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Cuts with height on top and short sides lengthen a round face: a quiff, a pompadour, a fade with longer hair left on top. A fade that runs into the beard line lengthens it further. What works against you is volume at cheek height.
Short cuts with little contrast between hair and forehead look least conspicuous — a buzz cut, crew cut or short textured crop. Backward-styled looks like the slick back expose the hairline completely. With advanced recession a deliberately shaved head usually reads more confident than any attempt to cover it.
Short, textured cuts with point-cut ends — the broken-up way light falls makes the hair look fuller. Length is the enemy of fine hair: past about eight centimetres its own weight pulls everything flat against the skull.
A curly crop, a broccoli cut, medium-length waves and a curly low taper fade. The rule across all of them is not to cut curls too short — under about three centimetres the curl pattern breaks down into frizz — and to have them cut dry, because curls spring up two to five centimetres as they dry.
A fade looks grown out after three weeks, a buzz or crew cut holds four to six, mid-length cuts eight to ten. If you want to go to the barber rarely, a short textured crop or medium-length waves are the two that forgive grow-out best.
Scalp hair grows roughly one centimetre a month. From a short cut to shoulder length is twelve to eighteen months, to a man bun about a year. The hardest phase is chin length, where an intermediate trim to keep the sides in shape makes it bearable.